Initially trained by his father, Jacob de Gheyn II moved to Haarlem around 1585 to study with Hendrick Goltzius for five years. He absorbed Goltzius's sinuous linear technique, which appeared in de Gheyn's early engravings. He moved to Leiden in the mid-1590s, then gave up engraving around 1600 and began painting and experimenting with etching. By 1605 de Gheyn had settled in The Hague, where he regularly worked for Holland's rulers. He designed Prince Maurice's garden, which included the Netherlands's first grottoes. Along with Goltzius, de Gheyn created some of Dutch art's earliest female nudes; he also painted some of Holland's earliestVanitas still lifes and flower paintings. He made over 1,500 innovative drawings, including many landscapes and natural history illustrations. While in Amsterdam, he made 117 designs for engraved illustrations in a military training manual to aid the Dutch fight for independence from Spain. Particularly through his scores of prints and drawings, de Gheyn helped lead Dutch art from its decorative Mannerist style to naturalism.
After Karel van Mander (Flemish, 1548-1606). Mixed set of thirteen engravings on various papers, with and without watermarks (crests, angel and unidentified) by Jakob de Gheyn the Elder (1565-1625) and Zacharias Dolendo (1561-1604) after drawings by van Mander.
Medium: Engravings on various papers Dimensions: c. 5 x 4 1/2 inches each Artist details: Dutch, 1565 - 1625 Condition: Good to fine impressions, most trimmed to or just outside the platemark. Minor soil or stains at edges of a few sheets. Blank panel below borderline at bottom of 7 sheets, trimmed off. Panel of The Burial of Christ partially trimmed. Small loss bottom right corner of Christ on the Mount of Olives.
Christ on the Mount of Olives Christ Led Away From Pilate The Last Supper The Arrest Christ Before Caiaphas The Crowning with Thorns and Mocking of Christ Ecce Homo The Flagellation Ecce Homo The Road to Calvary The Crucifixion The Burial of Christ The Resurrection of Christ