Medium: Etching
Dimensions: 5 1/2 x 5 3/4 inches
Signature: Signed
Date finished: 1997
Edition: of 14

Medium: Etching
Dimensions: 5 1/2 x 5 3/8 inches
Signature: Signed
Artist details: 1956
Date finished: 1999
Edition: of 100

Medium: Etching
Dimensions: 6 x 4 1/4 inches
Signature: Signed
Artist details: Ukrainan
Date finished: 2013
Edition: of 60

Medium: Etching
Dimensions: 5 3/4 x 5 3/4 inches
Signature: Signed
Artist details: Slovak, 1950
Date finished: 2004
Edition: of 100

Medium: Etching
Dimensions: 5 1/2 x 3 7/8 inches
Signature: Signed
Artist details: Bulgarian , 1962
Date finished: 2003
Edition: of 25 II

Medium: Etching
Dimensions: 3 3/4 x 3 3/4 inches
Date finished: 1997
Edition: of 60

Medium: Etching
Dimensions: 3 x 3 3/4 inches
Signature: Signed
Edition: of 50

Medium: Etching, aquatint
Dimensions: 2 1/2 x 2 3/4 inches
Signature: Signed
Date finished: 2000
Edition: of 35

Medium: Etching
Dimensions: 3 7/8 x 3 7/8 inches
Signature: Signed
Edition: of 50

Medium: Etching, aquatint
Dimensions: 2 3/8 x 2 5/8 inches
Signature: Signed
Edition: of 100

Medium: Etching
Dimensions: 6 x 6 inches
Signature: Signed
Date finished: 1999
Edition: of 6

Medium: Etching
Dimensions: 5 x 3 1/4 inches
Signature: Signed
Artist details: Slovak, 1948
Date finished: 2008
Edition: of 100

Medium: Etching
Dimensions: 5 x 3 3/8 inches
Signature: Signed
Artist details: Slovak, 1948
Date finished: 2008
Edition: of 100

Medium: Etching
Dimensions: 5 x 3 1/4 inches
Signature: Signed
Artist details: Slovak, 1948
Date finished: 2007
Edition: of 100

Medium: Etching
Dimensions: 4 1/2 x 3 inches
Signature: Signed
Artist details: Slovak, 1948
Date finished: 2000
Edition: of 200

Medium: Etching
Dimensions: 6 x 4 inches (image)
Artist details: Czech, 1942
Date finished: 1992
Edition: of 100

Medium: Color etching
Dimensions: 11 1/2 x 15 1/2 inches
Signature: Signed
Artist details: Polish, 1957
Date finished: 1988
Edition: of 50

Medium: Color etching
Dimensions: 13 x 19 1/2 inches
Signature: Signed
Artist details: Polish, 1957
Date finished: 1989
Edition: EA I

Medium: Etching and aquatint
Dimensions: 14 1/4 x 18 3/4 inches
Signature: Signed
Artist details: Japanese
Date finished: 2010
Edition: of 10

Medium: Etching
Dimensions: 4 7/8 x 3 3/8 inches
Signature: Signed
Date finished: 2006
Edition: of 100

Medium: Etching
Dimensions: 4 1/2 x 3 1/2 inches
Signature: Signed
Date finished: 2009
Edition: of 100

Medium: Mezzotint, etching
Dimensions: 14 1/2 x 19 1/2 inches
Signature: Signed
Artist details: Slovak, 1961
Date finished: 1999
Edition: EA

Medium: Mezzotint, etching
Dimensions: 13 1/2 x 19 1/2 inches
Signature: Signed
Artist details: Slovak, 1961
Date finished: 1999
Edition: EA

Medium: Mezzotint, etching
Dimensions: 22 1/4 x 15 1/4 inches
Signature: Signed
Artist details: Slovak, 1961
Date finished: 1996
Edition: EA

Medium: Etching & aquatint
Dimensions: 14 x 19 3/4 inches (image) 20 1/4 x 26 inches (sheet)
Signature: Signed
Artist details: French, 1939
Edition: of 200

#28224

Medium: Etching
Dimensions: 6 1/2 x 6 7/8 inches (Plate)
Signature: Signed
Artist details: Mexican, 1940
Edition: II/VI
Condition: Toned
#52014

Medium: Etching
Dimensions: 4 1/2 x 4 1/2 inches (image) 13 x 10 inches (sheet)
Signature: Signed
Artist details: French, 1939
Edition: xxv/cc

#27617

Medium: Etching with hand-coloring
Dimensions: 3 x 2 inches (image), 11 1/4 x 7 1/2 inches (sheet)
Signature: Signed
Artist details: French, 1939
Edition: EA

#27614

Medium: Etching
Dimensions: 4 1/2 x 3 3/4" (plate), 8 5/8 x 7 3/4" (sheet)
Signature: Signed
Artist details: Japanese, 1966
Edition: of 15

Recommended by Emma (Marketing & Communications Manager):
Obata has left some room for interpretation in this piece, and when I look at it I see an entire world within a tide pool, as if I'm looking towards the sky from the bed of the pool, and there's a bird flying above. The textures, liness, and movement within the piece all come together in a satisfying way.

Series: Silencio, Silencio Portfolio
Medium: Etching
Dimensions: 12 x 17 inches
Signature: Signed
Artist details: Spanish, 1930 - 2020
Date finished: 1970
Edition: 25/92
Publisher: Atelier Lacourière et Frélant, Paris

Recommended by Sam (Owner & Director):
Genoves portfolio Silencio, responding to the horrors of the Spanish Civil War, speaks loudly of protest and the price of dissent. His masterful use of spit bite and aquatint create a powerful image freely expressed rather than meticulously didactic.

#46539

Medium: Color etching
Dimensions: 2 x 1 3/4 inches
Signature: Signed
Artist details: Latvian, 1959
Date finished: 1999
Edition: AP of 50

Medium: Color etching
Dimensions: 2 3/4 x 2 7/8 inches
Signature: Signed
Artist details: Latvian, 1959
Date finished: 1999
Edition: of 50

Medium: Etching, aquatint
Dimensions: 23 1/2 x 3 inches
Signature: Signed
Artist details: Latvian, 1959
Date finished: 2003
Edition: AP of 50

Medium: Etching
Dimensions: 10 5/8 x 10 5/8 inches
Signature: Signed
Artist details: Latvian, 1959
Date finished: 1994
Edition: AP

Medium: Etching
Dimensions: 5 1/2 x 4 1/2 inches
Signature: Signed
Artist details: Russian, 1959
Date finished: 1996
Edition: EA

Medium: Etching
Dimensions: 7 x 8 inches
Signature: Signed
Artist details: Russian, 1959
Date finished: 2001
Edition: of 50

Medium: Etching
Dimensions: 4 1/2 x 4 1/2 inches
Signature: Signed
Artist details: Russian, 1959
Date finished: 1999
Edition: EA

Medium: Etching
Dimensions: 2 3/8 x 6 5/8 inches
Signature: Signed
Artist details: Russian, 1959
Date finished: 1998
Edition: of 100

Medium: Etching
Dimensions: 5 x 5 inches
Signature: Signed
Artist details: Russian, 1959
Date finished: 1999
Edition: EA

Medium: Etching
Dimensions: 5 x 4 7/8 inches
Signature: Signed
Artist details: Russian, 1959
Date finished: 2010
Edition: of 60

Recommended by Nikki (Fine Print Photographer & Content Publisher):
"This tiny etching is expertly crafted by Eastern European artist, Vladimir Zuev, to illustrate the story of Leda and the swan (aka, Zeus pretending to be a swan). Zeus seduces or rapes Leda, depending on the storyteller. Zeus fills the background, but subtly, despite his violent action. Instead, Zuev centers the story on Leda and does not overly sexualize her like most popular depictions, including not giving her hair. There are clues to her gender, but she is closed off to the viewer with her crossed legs and bent arms - not available for visual consumption. Instead, Leda is looking directly at the viewer - forcing us to look at her humanity.  

This image serves as a reminder that violence towards women is still prevalent, but not just in overt actions. It exists in the books we read, the media we consume, the words we use, the stories we retell, the art we purchase. This small image packs a very large punch and reminds us to critically analyze our own behaviors and constructs of thinking around women and violence."