Medium: Color etching Dimensions: 7 5/8 x 7 5/8 inches (Plate) 16 3/4 x 14 1/2 inches (Sheet) Signature: Signed Artist details: American, 1922 - 2000 Date of impression: 1995 Edition: 20/30
#25316
Series: Mexico Series Medium: Etching Dimensions: 19 1/2 x 13 3/8 inches (Plate) 26 1/4 x 22 inches (Sheet) Signature: Signed Artist details: American, 1922 - 2000 Date of impression: 1995 Edition: 30/50
#25317
Medium: Etching Dimensions: 32 x 27 inches Signature: Signed Date finished: 2016 Edition: of 45 Printer: Peter Kosowicz Publisher: Thumbprint Editions, London
Medium: Etching Dimensions: 32 x 27 inches Signature: Signed Date finished: 2016 Edition: of 50 Printer: Peter Kosowicz Publisher: Thumbprint Editions, London
Medium: Etching Dimensions: 32 x 27 inches Signature: Signed Date finished: 2016 Edition: of 50 Printer: Peter Kosowicz Publisher: Thumbprint Editions, London
Medium: Etching Dimensions: 31 x 24 3/4 inches (Image) 43 1/4 x 37 1/4 inches (Framed) Artist details: American, 1946 Date finished: 2016 Edition: of 50 Printer: Peter Kosowicz Publisher: Thumbprint Editions, London
Medium: Woodcut Dimensions: 36 x 36 inches (image/sheet) Signature: Signed Artist details: American, 1925 - 2016 Date finished: 2001 Edition: of 50 Reference: Summers, 235
Medium: Color woodcut Dimensions: 37 x 37 1/2 inches (image/sheet) Signature: Signed Artist details: American, 1925 - 2016 Date finished: 1989 Edition: 41/100 Reference: Summers, 205 Condition: Very lightly faded, hinges on back. Beautiful impression.
Medium: Color woodcut Dimensions: 14 1/2 x 35 1/2 inches (image/sheet) Signature: Signed Artist details: American, 1925 - 2016 Date finished: 1962 Edition: 115/210 Reference: Summers, 49 Publisher: IGAS Condition: Faint hinging tape residue at top edge of sheet, verso.
#333083
Medium: Color woodcut Dimensions: 30 x 38 inches (image/sheet) Signature: Signed Artist details: American, 1925 - 2016 Date finished: 1997 Edition: of 50 Reference: Summers, 223
Recommended by Rebecca:
(Gallery Associate):
This sublime example shows Carol's inventive woodblock printing technique that achieved a wonderful watercolor effect. To ensure that there were no hard edges, he loosely carved out shapes and used a rasp (file) to soften any sharp lines. He would then lay Japanese paper on the blocks and roll on the color following the relief area on the block. In conventional printing, the artist reverses the image on the blocks so that the resulting image is facing the correct direction. By using his special technique, Carol printed the blocks directly and did not have to reverse the image, so it was clear to him how the end product would look. After rolling on the inks, Carol blew solvent over the paper to further soften the edges and encourage the ink to stain or dye the paper. Sometimes he would print on the back of the paper first to lessen the absorbency of the paper and to give the solid color fields more variation. This is illustrated in the comet and the waterfalls in the hills.Davidson Galleries has been showing Carol’s work since the early eighties. We miss him.
Medium: Color woodcut Dimensions: 37 x 37 1/2 inches (image/sheet) Signature: Signed Artist details: American, 1925 - 2016 Date finished: 1986 Edition: of 100 Reference: Summers, 192
Medium: Color woodcut Dimensions: 21 1/2 x 29 1/2 inches (image/sheet) Signature: Signed Artist details: American, 1925 - 2016 Date finished: 1981 Edition: of 150 Reference: Summers, 171
Medium: Color woodcut Dimensions: 29 1/4 x 21 inches (image/sheet) Signature: Signed Artist details: American, 1925 - 2016 Date finished: 1962 Edition: Proof Reference: Summers, 48. Exhibited at MoMa, New York
#331857