Medium: Intaglio, mixed media Dimensions: 22 3/4 x 17 3/4 inches (image) 30 x 22 1/4 inches (sheet) Signature: Signed Artist details: American, 1957 Date finished: 2000 Edition: 1/1
Frank Boyden
The Irreverences, Provocations, & Connivances of Uncle Skulky (Suite of 21 intaglio prints)
Suite of 21 intaglio prints with two original drawings and one self portrait bound with an original lacquer drawing and housed in a linen and silk box.
Medium: Intaglio, drawings, letterpress Dimensions: 15 1/2 x 12 1/2 inches (boxed) Signature: Signed Artist details: American, 1942 Date finished: 2004 Edition: 4/6
Suite of 4 prints, color intaglio and woodcut combinations on grey Ingres housed in a handmade linen cover.
Medium: Color intaglio and woodcut Signature: Signed individually Dimensions: 11 x 11 inches (each) Artist details: American, 1952 Date finished: 1995 Edition: Trial proof
Medium: Mixed color intaglio Dimensions: 6 x 4 5/8 inches (image) 14 1/2 x 10 1/2 inches (sheet) Signature: Signed Artist details: Japanese, 1948 Date finished: 1990 Edition: of 20
Medium: Mixed color intaglio Dimensions: 17 1/2 x 19 1/2 inches
(image) Signature: Signed Artist details: Japanese, 1948 Date finished: 1993 Edition: of 25
Medium: Intaglio and linocut Dimensions: 4 x 6 inches (image) 10 1/4 x 12 1/2 inches (sheet) Signature: Signed Artist details: British / Chinese, 1973 Date finished: 2009 Edition: of 20
Medium: Intaglio and linocut Dimensions: 4 x 6 inches (image) 10 1/4 x 12 inches (sheet) Signature: Signed Artist details: British / Chinese, 1973 Date finished: 2009 Edition: of 20
Medium: Intaglio and linocut Dimensions: 4 x 6 inches (image) Signature: Signed Artist details: British / Chinese, 1973 Date finished: 2009 Edition: of 20
Medium: Intaglio and linocut Dimensions: 4 x 6 inches (image) Signature: Signed Artist details: British / Chinese, 1973 Date finished: 2009 Edition: of 20
Recommended by Nikki (Fine Print Photographer & Content Publisher): "Wuon Gean Ho’s Devour V is from a series of intaglios she created in 2009. This series begins with a woman asleep, laying on top of a tiger. The cat awakes first and begins walking around until the woman also awakes and opens her feral-looking eyes. They separate from one another, and begin sizing each other up as they circle. They grapple, but do eventually come to terms with each other (tiger licks the woman’s face) before dissolving into each other and the landscape. Devour V illustrates the moment when the woman is fully awake to her struggle with full realization of her circumstances and is actively fighting. Part of being human is coming to terms with our own wild cats that can wake up in us. Eventually, there will be peace and acceptance, but we first have to face them. Ho makes this struggle look sensual and chaotic with her use of subtle plate tone wiping and overlapping hatch marks in the plate. She effectively captures how it can feel to be rolling about with one’s own demons in the intimate space of our own heads."
Medium: Intaglio and linocut Dimensions: 4 x 6 inches (image) Signature: Signed Artist details: British / Chinese, 1973 Date finished: 2009 Edition: of 20
Medium: Intaglio and linocut Dimensions: 6 x 4 inches (image) Signature: Signed Artist details: British / Chinese, 1973 Date finished: 2009 Edition: of 20
Medium: Intaglio Dimensions: 14 x 30 inches (image) Artist details: American , 1956 Date finished: 2002 Edition: 1/1
Recommended by Catherine (Collections Assistant):
"Tallmadge Doyle's cosmic and nature-inspired intaglio prints strike an elusive balance between whimsical and grave, simultaneously conveying the beauty of the world and the pressing issues of climate change. Her intaglio print Winter Always Turns to Spring beautifully encapsulates the dark uncertainty around the future of our earth, and its place in the universe, with a message of ever-present hope. The layered star-like and spherical shapes call to mind the swirling cosmos, while the concentration of bright tones in the center draw the viewer through the dark celestial entanglement. This serves as a reminder that whether we are stuck inside the darkness of an unusually long winter or a web of demoralizing information, the light is never far beyond reach."