Ben Shahn was a Lithuanian-born American artist and member of the Social Realist movement. His expressive figurative paintings, murals, and posters were inexorably tied to his pursuit of social justice and lifelong activism within leftist political beliefs. Shahn unflinchingly critiqued the government and society, as seen in his The Passion of Sacco and Vanzetti (1931–1932), a painting which condemned the controversial conviction of two Italian-American immigrants who were sentenced to death in 1927. “The artist must operate on the assumption that the public consists in the highest order of individual—that he is civilized, cultured, and highly sensitive both to emotional and intellectual contexts,” he once stated. “And while the whole public most certainly does not consist in that sort of individual, still the tendency of art is to create such a public—to lift the level of perceptivity, to increase and enrich the average individual's store of values.” Born on September 12, 1898 in Kaunas, Lithuania into an Orthodox Jewish family, he and his family emigrated to New York in 1906. Shahn went on to study at the National Academy of Design in New York and traveled throughout Europe during the 1920s. Upon his return to the United States, he assisted Diego Rivera in 1933 for the painting of his Man at the Crossroads fresco in Rockefeller Center. During the latter part of his career, the artist’s paintings became more symbolic of his own emotional state rather than a description of social injustices. He died on March 14, 1969 in New York, NY. Today, Shahn’s works are held in the collections of the Art Institute of Chicago, the Whitney Museum of American Art in New York, the Tate Gallery in London, and the National Gallery of Art in Washington, D.C., among others.
Selections From Psalm 150 Suite
Five lithographs. 1970-71.
Printed by Kennedy Graphics, Inc., New York. Published by Mourlot Graphics, Inc., New York.
Sheets: 20-1/8 x 25-1/2 inches each
Sold as a set of five for $1,100.Psalm 150