Medium: Color mezzotint, aquatint, watercolor
Dimensions: 12 x 18 inches (image)
Signature: Signed
Artist details: American, 1958
Date finished: 2011
Edition: of 120

Recommended by Sunny (Collections Assistant):

Across the Floor is so nostalgic of my time growing up on the East Coast. I have visited Grand Central Station many times and remember it being one of the most magical moments. The train gets quiet and everything goes dark as you enter the underground tunnel. As you exit, passengers push against each other through the hot, humid platforms and then you emerge to find yourself under the constellations. Being surrounded by so many people who don't seem to keep still long enough to enjoy it, but I could always take a deep breath in this moment. This print captures the bustle and beauty of this iconic New York City experience.

Medium: Aquatint
Dimensions: 15 7/8 x 22 inches
Signature: Signed
Artist details: Mexican, 1955 - 2013
Date finished: 2000
Edition: AP

Recommended by Paige: 
(Collections Manager / Marketing Coordinator)

For me, 'El Camino de la Vaca' (The Cow's Path/Trail) is a 'why not'? type of piece. It has a simple joy for joy's sake. Of course, there is intention and artistry, like the beautiful ink textures, patterns, and perspective. But at this moment I appreciate his choice to create an uncomplicated, sweet scene. The grass forms a sort of red carpet for the underappreciated cow. We can smile just because.

Medium: Woodcut
Dimensions: 19 1/2 x 26 inches
Signature: Signed
Artist details: American, 1966
Date finished: 2008
Edition: of 9

Recommended by Paige: 
(Collections Manager / Marketing Coordinator)

Chris Papa's work is explosive and emotive. It's full of symbols and references that we can almost decipher, but they're stuck on the tip of our tongues. Maybe a tree? Maybe a cloud? Every color looks so unique, but we can't say why. I connect so much to 'Tokyo Tokyo' because this is also how I feel about describing a new place. We describe something new by referencing something we know, but all of our references don't relate, don't capture it right. How do we explain something that comes from somewhere that we don't know?

Medium: Mezzotint
Dimensions: 5 x 7 1/2 inches
Signature: Signed
Artist details: Japanese, 1954
Date finished: 2010
Edition: of 90
Reference: 298

Recommended by Sunny: 
(Collections Assistant)

Mikio Watanabe's work is extremely delicate and intriguing. The themes are simple, but his execution of form and technique are quite complex. Fossile catches my eye and reminds me of an Italian marble sculpture. The lighting is beautifully balanced between cool and warm tones and the figure's pose is expressive. Both filled with emotion and purpose.

Medium: Mezzotint, drypoint
Dimensions: 5 1/2 x 14 inches (image)
Artist details: American, 1950
Date finished: 2010
Edition: of 45

Recommended by Nikki (Art Photographer / Marketing and Exhibitions Specialist):

The volatility and energy behind Farrell’s sepia-inked piece is palpable. The figure’s neck, jugular veins, the collarbones, and jawline read as both vulnerable and strong, simultaneously. The chaos of the branches that cut across her neck break up three-quarters of the image, carrying the intense feelings across the entire scene with its visual movement.

Medium: Mezzotint
Dimensions: 15 5/8 x 15 5/8 inches (Image) 20 3/4 x 20 3/8 inches (Sheet)
Signature: Signed
Artist details: Japanese, 1967
Date finished: 2020
Edition: of 40

Recommended by Paige:

(Collections Manager / Marketing Coordinator)

This piece expresses how I often feel when I am out of place in a new place. Traveling far from home or starting over somewhere new can be a surreal experience; sometimes you pause and wonder, how did I get here? Or why am I here? Leaving can feel like stepping off a cliff into the unknown, represented here by total black. But she hasn't fallen, she might even be floating, elevating to something greater: ascending.

Medium: Moku hanga woodcut
Dimensions: 9 1/2 x 26 1/2 inches
Signature: Signed
Artist details: German, 1966
Date finished: 2019
Date of plate: 2011
Edition: of 30

Noted "In memory of Beth Cullom" verso

Recommended by Catherine (Collections Specialist / Gallery Associate

'The heat and frenetic energy of summertime always spark a desire in me to escape to scenic and remote areas, where shady forests and bodies of water are plentiful. Viewing Eva Pietzcker's moku hanga woodcut 'Cape Flattery' transports me to such a place, inspiring a feeling of cool tranquility second only to the actual experience of visiting the country's northwesternmost cape. Pietzcker's use of perspective and depth, created by the contrast of dark cliffsides against an uninked sky, pulls me into the sparkling azure and cerulean water.'

Medium: Lithograph
Dimensions: 23 1/2 x 33 1/2 inches (image)
Signature: Signed
Artist details: Japanese, 1961
Date finished: 2000
Edition: of 15

Recommended by Paige (Collections Manager / Marketing Coordinator):

In the 'Light Time Silence’ series, Yamamoto creates mysterious spaces that are both blank and full of meaning. A story with one too many details missing. Chairs placed (or abandoned?) in front of windows. Spaces empty of signifiers. ‘Light Time Silence #17’ is slightly different because there are more objects that whisper about this type of place and its type of person. We don’t know where they’ve gone, but their dishes are drying next to the sink. We don’t know where this room is but it seems to be in an old building. As we enter a space that we believe to be a home, we turn our focus to who owns this chair, who belongs in this chair. We think about what is needed to make a space into a home because we can see that this blank space has the proper foundation, but an uncanny neutrality, an absence. A home without a heart. A place without its people.

Medium: Etching and aquatint
Dimensions: 19 1/2 x 22 1/8 inches (Image) 26 1/8 x 28 1/4 inches (Sheet)
Signature: Signed
Artist details: Welsh, 1943
Edition: of 90

Recommended by Rebecca (Gallery Associate):

There are so many of Phil Greenwood's images that I am drawn to, it is hard to pick just one. His luscious colors sing and merge into a cohesive landscape. He does the impossible and prints just two or three color plates wet, so that the colors unfold with creative, complex relationships. Subtle tonal variations are accomplished by his expert handling of aquatint and etching. Taking inspiration from his surrounding English landscapes, Greenwood makes scenes look new and exciting yet familiar all at once, like the nightly moon shining fresh patterns onto the meadow below.

Medium: Woodcut and drypoint
Dimensions:14 x 9 inches (image) 22 x 15 inches (sheet)

Signature: Signed
Artist details: American, 1983
Date Finished: 2014
Edition: AP

Recommended by Nikki (Art Photographer / Marketing and Exhibitions Specialist):

Heck’s ability to meld drypoint and woodcut together with perfect registration is incredible. The little girl is focused on tying her heart wing strings, while we watch her busy at work. Children are immensely talented at dreaming and imagining. This piece reminds me that it takes careful consideration and softness to dream, but it is just as important to do as an adult, as it is for a child. 

Medium: Mezzotint
Dimensions: 31 5/8 x 23 3/4 inches (image) 39 1/4 x 28 inches (sheet)
Signature: Signed
Artist details: Thai, 1990
Date finished: 2018
Edition: of 25

Recommended by Nikki (Art Photographer / Marketing and Exhibitions Specialist):

This large mezzotint was printed in 2018 - before covid shut the world down. Today, it feels equally, if not more relevant. I enjoy the perspective Thai artist, Chirachaisakul, has on America’s ‘Labyrinth of Liberty’. Liberty is bound, gagged, blinded, objectified, and wrapped in fragility - unable to help the small figures that climb her. Even if the figures in the print could make it through the maze at the bottom, there would be even more red tape at the top.

Medium: Oil painting on handmade Mitsumata paper
Dimensions: 13 x 18 inches (image / sheet)
Signature: Signed
Artist details: Japanese, 1950
Date finished: 2016

Recommended by Paige (Collections Manager / Marketing Coordinator):

Lately, I have been reflecting on art's place in the face of tragedy, of war, and of suffering. This piece, 'For Fukushima - Hannya-shingyo II', has always struck me visually, but it has captured my mind especially in this context. Hiroshima beautifully understands art as remembrance, art as witness, art as prayer. The artist's hands are felt in the texture of the handmade paper, in each layer of color applied, in each stroke of calligraphy. The language speaks of wisdom and in deep red, it is powerful but not forceful. The mountains are dark but they touch a bright sky. This piece naturally inspires honest reflection.

Medium: Lithograph
Dimensions: 11 3/4 x 12 inches (Image) 16 1/2 x 12 3/4 inches (Sheet)
Signature: Signed
Artist details: Welsh / English, 1864 - 1944
Date finished: 1911
Provenance: Collection: Bibliothèque Royal, Brussels
Condition: Good condition

Recommended by Rebecca (Gallery Associate):

While revisiting Albert de Belleroche's work before the Russell-Cotes Museum exhibition (opening this month) I was again struck by how free and expressive he was as a lithographer, using his stone as if it were a sheet of paper and not an expensive, precious, tool for the final stage of printmaking. He was a talented printer, editing and altering his drawing on the stone. But much of the character of his lithographs comes from the fact that he didn't have to worry about the financial challenges of being an artist. Each impression is its own, not preoccupied with being a perfect match for the edition but rather welcoming variation. In this piece, the hair and clothing are loose and sketch-like, rich in texture, while the eyes, nose, and mouth are carefully constructed. The chaos and contrast around her face draws us into her expression.

Series: Still Lifes
Medium: Moku hanga woodcut
Dimensions: 26 1/4 x 12 5/8 inches
Signature: Signed
Artist details: German, 1966
Date finished: 2016
Edition: Numbered

Recommended by Paige (Collections Manager / Marketing Coordinator):

The tulips are in full bloom in my neighborhood park, and while I love the much missed color they bring in the spring, Eva Pietzcker's 'Tulips' emphasizes the beauty of the flowers' shape and interaction with light. I see the beauty of their leaves in a new way. I feel the curve of the vase echoed in the curve of the petals. The light, brushed texture of the ink draws me in to explore the composition. I find myself thinking about flowers as beautiful gifts, both for a friend in their home and for our community in a public park.

Medium: Hand-colored etching with chine-collé
Dimensions: 10 1/2 x 8 inches (image)
Signature: Signed
Artist details: American, 1929 - 2017
Date finished: 1987
Edition: of 100

Recommended by Catherine (Collections Specialist / Gallery Associate):

Often considered a symbol of grief, poppies are one of my very favorite flowers and I appreciate the unique way Art Hansen portrays them with soft textures and muted tones. The symbolism of this flower is beautifully communicated by the subdued color palette and the way the poppies are drooping and wearily leaning into each other. They even appear to be experiencing grief themselves, curled around one another in a gentle embrace. The combination of fully bloomed poppies and new buds represents the timelessness of grief - whether new or old, it is ever-present and universal, and also deeply unifying.

Series: Transmigration (Transferred Soul)
Medium: Wood engraving with chine-collé
Dimensions: 12 3/4 x 6 1/2 inches (image)
Signature: Signed
Artist details: Japanese, 1944
Date finished: 1988
Edition: of 40

Recommended by Catherine (Collections Specialist):

Keisei Kobayashi's intricate wood engravings often explore themes around ecology and nature mysticism. His piece Roots B from the 'Transmigration' series is a beautiful depiction of the reciprocity between humans and nature within the process of death. At a quick glance, the image appears to be of a dead tree, its scraggly and bare branches inviting the company of crows. A closer look reveals a glowing figure, sitting within the roots of the tree and bringing new life through the trunk. A clear symbol of rebirth in light of death, it also conveys a feeling of peaceful renewal in the midst of grief.

Recommended by Paige (Collections Manager, Marketing Coordinator):

"I am so captivated by Rob Connell's less-is-more, no-nonsense, it-is-what-it-is ink and gouache paintings. There is plenty of texture where there should be, plenty of contrast throughout, and nothing else to get in the way. His skies are often stark white, untouched and overexposed, while his windows are pitch black, completely concealing any interior. This piece has all of Connell's best features topped off with a uniquely pink building, speaking for the under-appreciated textures of our cities."

Medium: Woodcut
Dimensions: 30 x 30 inches (image/sheet)
Signature: Signed
Artist details: American, 1925 - 2016
Date finished: 1997
Edition: 38/75
Reference: Summers, 224

Recommended by Paige (Collections Manager):

"'Jungle Bouquet' brings me so much energy and joy. It takes Summers' signature bold colors and blurred lines even further so the tassels become hyper saturated red blobs. The proportions are complicated with huge palm trees fitting into a ceramic vase that occupies an entire stage setting. To me, these contradictions and oddities are just playful and inviting. I enjoy this piece at first glance every time I see it."

Medium: Woodcut and Pochior
Dimensions: 15 x 11 inches (image/sheet)
Signature: Signed Verso
Artist details: American, 1955
Date Finished: 2013
Edition: of 13

Recommended by Catherine (Collections Specialist):

"Jean Gumpper's woodcuts are expressions of her experiences in nature and each print feels like a spontaneous glimpse into the natural world, dynamic and full of depth. For her piece titled 'Tracery', Jean combines traditional woodcut printing with pochoir, a French stencil-based technique, to create a deeply layered and multi-textured quality. The lively leaves and vines in the foreground wind over an intricate web of dark branches, which resembles tracery on a gothic window. I'm drawn to any metaphor between the natural world and historical architecture, and the play of light shining through this nature-formed window inspires my imagination."

Medium: Woodcut and drypoint
Dimensions: 14 x 9 inches (image)
Signature: Signed
Artist details: American, 1983
Date Finished: 2014
Edition: 9/9 EV

Recommended by Suzannah (Marketing and Communications Manager):

"There is an aching tenderness and familiarity in Ellen Heck’s portraits of young people. Each child is full of peace and personality, and the combination of woodcut and drypoint mediums produces playful blocks of color and precise feathery lines. I was particularly struck by “Two”, a portrait of a child obscured but looking directly out of the page, holding two hearts against their chest. Worked exclusively in grey tones, the child’s expression shows such freedom and soulfulness, an ineffable emotion and state of being that feels unreachable in adult life. The child does not wonder who they are or how they must be in the world. They simply are themself, and have never considered being otherwise."

Medium: Intaglio
Dimensions: 14 x 30 inches (image)
Artist details: American , 1956
Date finished: 2002
Edition: 1/1

Recommended by Catherine (Collections Assistant):

"Tallmadge Doyle's cosmic and nature-inspired intaglio prints strike an elusive balance between whimsical and grave, simultaneously conveying the beauty of the world and the pressing issues of climate change. Her intaglio print Winter Always Turns to Spring beautifully encapsulates the dark uncertainty around the future of our earth, and its place in the universe, with a message of ever-present hope. The layered star-like and spherical shapes call to mind the swirling cosmos, while the concentration of bright tones in the center draw the viewer through the dark celestial entanglement. This serves as a reminder that whether we are stuck inside the darkness of an unusually long winter or a web of demoralizing information, the light is never far beyond reach."

Medium: Lithograph
Dimensions: 14 x 10 inches (Image) 18 7/8 x 12 inches (Sheet)
Signature: Signed
Artist details: Welsh / English, 1864 - 1944
Date finished: 1901
Provenance: Exhibition: SAF 190, Goupil 1903
Condition: Good condition

Recommended by Catherine (Collections Assistant):
"I am captivated by the sitter in this Albert de Belleroche lithograph, La Toque Noire (The Black Hat). Belleroche's candid portrait of this early 20th century woman provides such a sensitive portrayal of her facial expression that the viewer can almost imagine what's on her mind- or at least is compelled to wonder. Despite her composed outward appearance, so much is contained in her far-off look. Is she simply day-dreaming out of boredom, or is she feeling a deep sense of ennui and disquiet? The rendering of her face is so nuanced that the viewer's own feelings easily influence their interpretation of her expression."

Series: Sequential Portfolio
Medium: Serigraph
Dimensions: 26 x 19 inches (image) 28 x 21 inches (sheet)
Artist details: American, 1930 - 2020
Date finished: 1972
Edition: of 200
Publisher: Sanmore Editions, NY

Recommended by Emma (Marketing & Communications Manager):
"Anusckiewicz uses color and form to create a striking composition filled with optical illusion. The piece features an irresistible candy-colored palette so challenging for the eyes and brain that it seems to vibrate on the paper. The precisely printed two-dimensional planes of color create the illusion of three dimensions, while the color blocks of the background blend together visually to create a rainbow gradient. This print is simple yet full of surprises."

Medium: Woodcut
Dimensions: 30 x 30 inches (image/sheet)
Signature: Signed
Artist details: American, 1925 - 2016
Date finished: 2010
Edition: 10/100
Reference: Summers 255

Recommended by Emma (Marketing & Communications Manager):
"It's unusual for Carol Summers, known for his bold color palettes, to create a monochromatic woodcut. In our increasingly digital world, the RGB version of indigo permeates our lives as the go-to color for hyperlinks and other mundane digital functions. In Las Cascadas De Tamasopo Summers reminds me of indigo's richness and beauty. This print makes me crave the pigment and everything I associate with it - summertime, Mediterranean waters, ceramics painted by hand. I feel enthralled as if I am seeing color for the first time."   

Medium: Lithograph
Dimensions: 15 3/4 x 23 3/4 inches (image) 19 3/4 x 27 1/2 inches (sheet)
Signature: Signed
Artist details: Japanese, 1961
Date finished: 2017
Edition: of 30

Recommended by Rebecca (Gallery Manager):
"Although now a favorite artist of mine, I originally found Keisuke Yamamoto's lithographs to be a bit austere. It wasn't until I took the time to continue looking that my experience of the scene transformed. Now I feel welcomed into the moment. I long to sit in the chair, to feel the breeze enter the room through the window, and to be warmed by the light. The artist has impeccable technique from the drawing stage to the printing of the lithograph. To watch him sharpen a litho pencil is to understand his precision. Through exquisite rendering, Yamamoto brings to life a place and a moment that I long to experience."

Medium: Lithograph
Dimensions: 20 x 15 inches
Signature: Signed
Artist details: American, 1969
Date finished: 2003
Edition: of 23

Recommended by Nikki (Fine Print Photographer & Content Publisher):
"The Wise Virgin by Jenny Schmid references the parable Jesus told about five foolish virgins and five wise virgins meeting their bridegroom for the first time without warning in the Christian bible. The parable is meant as a metaphor for being ready for death at all times. Once this story came out of the mouths of men at the pulpit, it was twisted to be a warning about women who are unchaste. In this lithograph, the central character is a girl who is afraid - hunched over and ducking away from the devil and his poisonous alcohol. She’s also clutching her bibles as she avoids the temptation of the man at her heel, not looking out for the female creature she steps on, unknowingly. This piece is different from Schmid’s other works she made around this time with alternate worlds where girls are adventurers who break from society’s prescribed roles for them. Instead, she’s using her expert lithographic skills to illustrate the harsh dichotomy girls have pushed on them - be a good girl or be a bad girl."

Medium: Drypoint
Dimensions: 14 x 9 7/8 inches
Signature: Signed
Artist details: American, 1909 - 1982
Date of impression: 1940
Edition: 250
Publisher: Associated American Artists

Recommended by Emma (Marketing & Communications Manager):
"The architectural detail of the Victorian style is beautifully detailed in this drypoint. In a world of fast production and cheap materials, this style appeals to a longing for craftsmanship of times past. In this way it tugs at a deep desire to pursue the more fulfilling aspects of human experience, regardless of the rhythm of modern life. It prompts us to seek out artists and craftspeople, support our local makers, and reject the blitz of corporate advertising. Both the drypoint medium and the architecture depicted remind us that the best things in life require time and great care, and bring us closer in touch with our fellow humans."

Medium: Mezzotint
Dimensions: 12 x 9 1/2 inches (plate)
Artist details: American, 1955
Date finished: 2001
Edition: 100

Recommended by Rebecca (Gallery Manager):
"Art Werger always puts mezzotint to good use and he uses it to its fullest in this dark, snowy scene. Passage has all of the best elements of a night scene - high contrast, shadows, reflections, and mystery. The subtle differences in the footprints tell you which figures are coming and which are going, but their faces are obscured by darkness and their umbrellas fighting against the wind. I feel cold but comforted imagining myself in the quiet night, my footsteps muted by the snow. The lighting and depth of view reminds me of other great artists like John Sloan and others of the 1920s-40s. It is a beautifully executed, timeless scene."

Medium: Aquatint
Dimensions: 15 3/4 x 22 inches
Signature: Signed
Artist details: Mexican, 1955 - 2013
Date finished: 2001
Edition: PT of 5

Recommended by Paige (Collections Manager):
"This piece is a perfect composition of circles, from the crouched woman to the swimming fish to the sun and moon. It shows the artist's mastery of texture and transparency, even through darkness. He was a key figure to the art community of Oaxaca and is one of my favorite Mexican artists. For me, his works are clearly influenced by Mexican folk culture, imagery, and textures but are also clearly his own." 

Medium: Lithograph
Dimensions: 16 1/2 x 12 inches (image) 21 1/2 x 15 inches (sheet)
Signature: Unsigned
Artist details: Welsh / English, 1864 - 1944
Date finished: 1907
Condition: Tape residue, creased corners, a stain on the right margin.

Recommended by Rebecca (Gallery Associate):

The beauty of Albert de Belleroche's line and expressiveness with a dash of freshness and it's sublime to me. A calm friendly gaze greets us from this wonderfully gentle portrait hand drawn on stone and then printed in the early 20th century.