Medium: Woodcut
Dimensions: 12 1/2 x 37 1/4 inches
Artist details: Korean, 1954
Date finished: 2009
Edition: of 20

Recommended by Paige (Collections Manager):

For me, ‘Go Out Together’ is about how individuals make up a community. While I sometimes feel like a nonentity walking around my city, artists like Lee Chul Soo remind me that I’m part of a greater network, that while I’m just one person experiencing the city in my own way, that itself makes me a member of the community. The simple composition gives me time and space to look around, examine each moment, and give it the value it deserves. I try to look at my neighbors (and of course the dogs) with the friendly eyes that Lee Chul Soo uses.

Medium: Color etching with chîne - collé and hand coloring
Dimensions: 19 1/2 x 15 1/2 inches (Image) 25 1/2 x 21 1/4 inches (Sheet)
Signature: Signed
Artist details: Korean, 1983
Date finished: 2020
Edition: of 30

Recommended by Suzannah (Marketing and Communications Manager):

"Seoul (Sohee) Kim writes about her art as a playful engagement with alienating and ironic realities though imaginary space. Much of her work faces scenes such as packed train cars and claustrophobic workspaces, where bored and tired figures coexist with magical elements from her imagination. While humorous, much of her work conveys a sense of melancholy and anxiety, using a pastel color pallet, figures depicted in uncomfortable positions, and almost hallucinatory symbolism. “A Box for Rest Time” is as chaotic, muted, and claustrophobic as her other work, but it fills me with more peace and comfort than any other emotion. A figure sleeps in a box, filled to the brim with a messy bed, and next to them sleeps an oversized cat. I too want to hide away from the world and find sanctuary in a little box and a big bed with a big sleepy cat. There one finds safety, dreamless sleep, and rest beyond imagination."

Medium: Reclaimed wood monoprint, hand-cut paper, blind embossment and collage
Dimensions: 9 x 9 inches (Image/Sheet)
Signature: Signed
Artist details: Korean / American, Pacific Northwest, 1971
Date finished: 2023
Edition: 1/1

Recommended by Rebecca (Gallery Manager):

"Eunice Kim’s style and technique has evolved much over the years, but the natural spirit of her work and her commitment to using non toxic materials has only grown. In her new exhibition Currents & Tides, she uses reclaimed wood from a barn on her property to produce stark and natural woodcut prints. In Seedling (9) #1,  you can feel the energy and intention that Kim puts into the process of selecting the star pattern from the source print, and painstakingly cutting it out by hand with tiny scissors. Kim melds both natural and human history into a meditative harmony of birth, death, and rebirth."