Jacques Callot (1592-1635) was born in Nancy, the center of the School of Lorraine. At sixteen he left for Rome to study with Phillippe Thomassin then settled in Florence for the next ten years under the patronage of Cosimo II de' Medici, Grand Duke of Tuscany. He developed a protective ground for copper etching plates derived from lute varnish. This discovery allowed him to render scores of figures with convincing gestural detail while using a minimum of lines. The crowds in his most famous work The Fair at Impruneta showed this technique to particular advantage. Callot produced a large number of prints and almost two thousand drawings of religious and allegorical subjects, landscapes, stage set designs and festivals. He returned to Lorraine and Nancy after the Duke's death in 1621. Where he found a new patron in Henri II, Duke of Lorraine. The invasion of Lorraine in 1633 inspired his series "Les Grandes Miseres de la Guerre", a powerful precursor to Goya's Disasters of War series two hundred years later. Callot's version of the Temptation of Saint Anthony also reflects the gruesome events he witnessed.
Series: Les Misères et les Malheurs de la Guerre Medium: Etching Dimensions: 3 1/4 x 7 1/4 inches (each image) Artist details: French, 1592 - 1635 Date of plate: 1633 Date of impression: Later impression Condition: Toned with minor flaws.
Etchings included: La Pendaison (The Hanging), Plate 11 Le Pillage et l'incendie d'un village (Plundering and Burning of a Village), Plate 7 L'Arquebusade (The Firing Squad), Plate 12
Available framed. Please inquire.
#54893
Jacques Callot
Les Petites Misères de la Guerre (Complete Set of 7 Etchings)
Medium: Etching Dimensions: 2 1/4 inches x 4 1/2 inches (Image) (Plates vary in size) Artist details: French, 1592 - 1635 Date finished: 1633 Reference: Lieure 1333 ii - 1338 ii Publisher: Israël Henriet,Paris Provenance: Dr. W. Schumaule Condition: Frontispiece by Abraham Bosse
#54522
Jacques Callot
Le Benedicite, estampe appelée aussi La Sainte Famille a Table et St. Joseph Faisant Boire L'Enfant Jésus (The Grace, also called The Holy Family at the Table and St. Joseph Giving the Christ Child a Drink)
Medium: Etching Dimensions: 7 1/2 x 6 5/8 inches (Plate/Sheet) Artist details: French, 1592 - 1635 Reference: Lieur 595 iii/v, Meaume 65 Condition: Small loss at upper right corner, repaired. Small spot in upper left of circle. Trimmed to platemark. Previous hinges verso.
#54243
Series: Les Caprices Medium: Etching Dimensions: 2 1/4 x 3 1/2 inches (Sheet) Artist details: French, 1592 - 1635 Reference: L. 450 i/ii Provenance: Nancy plates Condition: Collection's mark verso on all Nancy plates
#24252
Series: Les Caprices Medium: Etching Dimensions: 2 1/4 x 3 1/2 inches (Sheet) Artist details: French, 1592 - 1635 Provenance: Nancy plates Condition: Collection's mark verso on all Nancy plates
#24264
Series: Les Caprices Medium: Etching Dimensions: 2 3/4 x 3 1/2 inches (Sheet) Artist details: French, 1592 - 1635 Reference: L.448 i/ii Provenance: Nancy plates Condition: Collection's mark verso on all Nancy plates
#24258
Series: Les Caprices Medium: Etching Dimensions: 2 1/4 x 3 1/8 inches (Sheet) Artist details: French, 1592 - 1635 Reference: L.456 i/ii Provenance: Nancy plates Condition: Collection's mark verso on all Nancy plates
#24250
Series: Les Caprices Medium: Etching Dimensions: 2 3/8 x 3 1/2 inches (Sheet) Artist details: French, 1592 - 1635 Reference: L442 i/ii Provenance: Nancy plates Condition: Collection's mark verso on all Nancy plates
#24270
Series: Les Caprices Medium: Etching Dimensions: 2 3/8 x 3 1/2 inches (sheet) Artist details: French, 1592 - 1635 Reference: L. 443 i/ii Provenance: Nancy plates Condition: Collection's mark verso on all Nancy plates
#24249
Series: Les Caprices Medium: Etching Dimensions: 2 3/8 x 3 1/4 inches (Sheet) Artist details: French, 1592 - 1635 Reference: L.447 i/ii Provenance: Nancy plates Condition: Collection's mark verso on all Nancy plates
#24259
Series: Les Caprices Medium: Etching Dimensions: 2 1/4 x 3 1/8 inches (Sheet) Artist details: French, 1592 - 1635 Reference: L. 470 Condition: Small area of loss top left corner of sheet, only slightly into printed area. Toned.
#29924
Medium: Etching and engraving with hand-coloring Dimensions: 16 1/2 x 26 inches Artist details: French, 1592 - 1635 Date finished: 1620 Reference: Lieure 478 (2nd Plate) Condition: Trimmed to or just within the platemark. Soiled, toned, repairs at fold, and along bottom edge. Significant restoration. Unidentified watermark.
Recommended by Sam (Gallery Owner & Director): "Callot's rendering of this annual fair near Florence is a masterpiece. It employs two major contributions the artist made to printmaking. His introductory use of lute varnish for the protective coating (ground) put on the copper plate before the image mark making. This material allowed more fine detail and less fowl bite (unintended marks on the plate surface) due to this secure and uniform plate coating. The artist selectively exposes the plate surface, prior to its submersion in the acid bath for the acid to selectively act on the copper to generate the lines destined to make up the image. The clean and delicate lines made possible with his discovery, combined with his unique, simplified, gestural drawing technique, allowed for the complexity of this amazing image."
Series: Les Caprices Medium: Etching Dimensions: 2 x 3 3/16 inches Artist details: French, 1592 - 1635 Edition: 24/50 Reference: L.446 i/ii Provenance: All from Nancy plates Condition: Collection's mark on verso.
#24254