Series: Monoprint/Monotype Invitational 2022
Medium: Monoprint
Dimensions: 28 x 20 inches (Image) 30 x 21 3/4 inches (Sheet)
Signature: Signed
Artist details: Canadian, 1954
Date finished: 2017
Edition: 1/1

Artist's statement:
"The works are monoprints from a series entitled The Plate and Beyond reflecting my interest in the interaction of lines, shapes, colours and pattern.

My monoprints are made through an intuitive process using collagraph plates, stencils, and masks made from found materials. A multi-layered printing process is used. My process of working allows me to respond to the developing image as each plate is added. Further materials are impressed onto the printed surface, including inked or non-inked materials. Pressing of “ghosts” or “cognates,” may also be incorporated.  This results in the development of prints with complex relationships between shapes, colour and surface texture. From the pressure applied in the printing process and the resulting embossment of the materials used, the images can even reflect the history of collagraph plates and processes."

Series: Monoprint/Monotype Invitational 2022
Medium: Monoprint
Dimensions: 29 5/8 x 21 7/8 inches (Image) 30 x 21 7/8 inches (Sheet)
Signature: Signed
Artist details: Canadian, 1954
Date finished: 2018
Edition: 1/1

Artist's statement:
"This work is a monoprint from a series entitled The Plate and Beyond reflecting my interest in the interaction of lines, shapes, colours and pattern.

My monoprints are made through an intuitive process using collagraph plates, stencils, and masks made from found materials. A multi-layered printing process is used. My process of working allows me to respond to the developing image as each plate is added. Further materials are impressed onto the printed surface, including inked or non-inked materials. Pressing of “ghosts” or “cognates,” may also be incorporated.  This results in the development of prints with complex relationships between shapes, colour and surface texture. From the pressure applied in the printing process and the resulting embossment of the materials used, the images can even reflect the history of collagraph plates and processes."