Medium: Drypoint with chine-collé Dimensions: 5 3/4 x 3 3/4 inches Signature: Signed Artist details: Japanese, 1951 Date finished: 1999 Edition: of 50 Reference: #254
Medium: Etching and drypoint with chine-collé Dimensions: 5 3/4 x 8 3/4 inches (image) 10 1/2 x 15 1/2 inches (sheet) Signature: Signed Artist details: Japanese, 1951 Date finished: 1994 Edition: of 30 Reference: #212
Medium: Drypoint with chine-collé Dimensions: 5 3/4 x 3 3/4 inches Signature: Signed Artist details: Japanese, 1951 Date finished: 2002 Edition: of 60 Reference: #270
Medium: Drypoint with chine-collé Dimensions: 5 3/4 x 3 3/4 inches Signature: Signed Artist details: Japanese, 1951 Date finished: 2003 Edition: of 50 Reference: #288
Medium: Drypoint with chine-collé Dimensions: 5 7/8 x 3 3/4 inches (image) 11 x 7 3/4 inches (sheet) Signature: Signed Artist details: Japanese, 1951 Date finished: 2006 Edition: of 47 Reference: #307
Medium: Drypoint with chine-collé Dimensions: 5 3/4 x 3 3/4 inches Signature: Signed Artist details: Japanese, 1951 Date finished: 2005 Edition: of 50 Reference: #295
Medium: Drypoint with chine-collé Dimensions: 5 3/4 x 11 1/2 inches Signature: Signed Artist details: Japanese, 1951 Date finished: 1987 Edition: of 50 Reference: #138
Recommended by Rebecca: (Gallery Associate)
Tomura's simple, beautiful drypoint is reminiscent of Rembrandt's depiction of leaves and trees. Tomura captures lively nature with minimal details. The image is barely there. Just a few light strokes for the grass, gentle texture in the leaves and clean lines for the trunks. Tomura leaves most of the sheet blank to focus on the thing you can't see: the wind.
Medium: Drypoint with chine-collé Dimensions: 5 3/4 x 5 1/2 inches Signature: Signed Artist details: Japanese, 1951 Date finished: 1992 Edition: of 30 Reference: #192
Medium: Drypoint with chine-collé Dimensions: 5 3/4 x 5 1/2 inches Signature: Signed Artist details: Japanese, 1951 Date finished: 2018 Edition: of 24 Reference: #352
Medium: Drypoint with chine-collé Dimensions: 5 3/4 x 5 1/2 inches Signature: Signed Artist details: Japanese, 1951 Date finished: 2018 Edition: of 24 Reference: #351
Medium: Drypoint with monotype Dimensions: 34 1/4 x 52 1/2 Signature: Signed Artist details: British/American, 1957 Date finished: 2012 Edition: of 2 EV
Medium: Drypoint on Gampi Dimensions: 25 1/2 inches diameter Artist details: British/American, 1957 Date finished: 2016 Edition: 1/1
After Piranesi was printed during the artist's fellowship residency in Vermont in 2016. Underneath the arches on the south bank of the Thames in London, Robinson's hometown, there is an oversized tile mural which reproduces the original etching of Piranesi’s depiction of the construction of Blackfriars bridge 1766. Interested in how scale can change and distort one's visual relationship to an object or place, (the original etching is 16 x 24 inches), Robinson focused on a section of the enlarged image as a starting point to create an abstracted homage to one of her heroes in print, Piranesi. The resulting print, created in a small varied edition of 4 unique images, is a combination of drypoint and monotype printed on gampi tissue, a material that references both the strength of the subject matter and its fragility. The gampi is then seamed together and backed with sekishu paper for added strength.
Medium: Drypoint Dimensions: 4 1/2 x 3 1/2 inches (image) 9 1/8 x 7 inches (sheet) Signature: Signed Artist details: Norweigian, 1941 Date finished: 2004 Edition: of 10
Medium: Etching, collagraph, drypoint, and chine-collé Dimensions: 11 3/4 x 15 1/2 inches Signature: Signed Artist details: Japanese, 1967 Date finished: 2000 Edition: of 20
Medium: Etching, mezzotint, drypoint, chine-collé Dimensions: 7 7/8 x 8 7/8 inches Signature: Signed Artist details: Japanese, 1967 Date finished: 2003 Edition: of 20
Medium: Color drypoint Dimensions: 8 7/8 x 12 1/2 inches Signature: Signed Artist details: American, 1944 Date finished: 1997 Edition: of 50
Recommended by Sam (Owner & Director): "Liza Jones' Winter Dune is a color drypoint in which she exploits both the delicacy and strength possible with the drypoint process. She effectively captures the coast dune landscape alternating with marshy wetlands. Her mark making is convincing."