Recent Acquisitions
Showing January 9-31, 2009
This page is an exhibition archive. For pricing and availablity, please visit related artist and subject pages.
• Jacques Callot, Marc Chagall, Francisco de Goya y Lucientes, Georges Rouault, British Prints

Jacques Callot (French, 1592-1635)
Masked Dwarf with Saber
Series: Les Gobbi. Etching, 1618. Reference: Lieure 419 i/ii. Margins.
2-1/2 x 3-3/8 inches.
29707c
Jacques Callot (French, 1592-1635)
Dwarf Fiddling
Series: Les Gobbi. Etching, 1618. Reference: Lieure 418 ii/ii. Small margins.
2-1/2 x 3-1/2 inches.
29768c
Jacques Callot (French, 1592-1635)
View of Pont Neuf
Etching, 1630. Reference: Lieure 668. Later printing, as issued in Hamerton’s Etching and Etchers, c. 1890s. Folds as issued. A few spots of foxing.
6-1/4 x 13-1/4 inches.
29771c
William Hogarth (English, 1697-1764)
Analysis of Beauty, Plate II
Engraving, 1753. Reference: Paulson 196. Boydell ed. or earlier.
16-1/2 x 21 inches.
29758c
Francisco de Goya y Lucientes (Spanish, 1746-1828)
Nadie nos ha Visto (No one has seen us)
Plate 79 for Los Caprichos, 1799. Etching and aquatint in sepia on laid paper (no watermark). Reference Harris 114 iii, probably 11th or 12th ed. Previous tape in outer margins, verso.
Plate: 8-5/8 x 5-7/8 inches. Sheet: 11-1/2 x 8 inches.
29768c
Eugene Delacroix (French, 1798-1863)
Faust dans son Cabinet
Lithograph, 1827. Reference: Delteil 59 vii/viii.
Image: 9-5/8 x 6-3/4 inches.
29779c
Samuel Palmer (British, 1805-1881)
The Early Ploughman or The Morning Spread Upon the Mountains
Etching, c. 1861. Reference: Lister 9 viii.
Image: 5-3/16 x 7-3/4 inches. Sheet: 6-7/8 x 10 inches.
29726
Samuel Palmer (British, 1805-1881)
Early Morning or Opening the Fold
Etching, 1880. As published in the second (small paper) ed. of An English Version of the Ecologues of Virgil by Samuel Palmer, 1884. Reference: Lister 13 viii.
Plate: 6 x 8-1/4 inches.
29727c
Samuel Palmer (British, 1805-1881)
The Herdsman’s Cottage (Sunset)
Etching on cream wove paper, 1872. Initialed in the plate, lower left. Reference: Lister 3 ii.
Plate: 4-7/8 x 3-7/8 inches. Sheet: 12 x 8-3/4 inches.
29701c
Lucien Pissarro (French, 1863-1944)
In the Field - The Queen of the Fishes
Color woodblock with metallic pigment, 1894. Monogram in the block. Reference: F. 92.
4-1/2 x 3-1/8 inches.
29705c
Alphonse Legros (French, 1837-1911)
La Légende du Bonhomme Misère
Etching, 1880. Signed in the plate. Reference: C. 109.
8-3/4 x 6 inches.
29732c
James Abbott McNiel Whistler (American, 1834-1903)
Vauxhall Bridge
Etching on laid paper, 1861. Signed and dated in the plate. Reference: Kennedy 70 ii.
2-3/4 x 4-1/2 inches.
29739c
Eugene Bejot (French, 1867-1931)
Le Bassin de la Villette
Etching, 1902. Signed in pencil. Signed and dated in the plate. Reference: L. 212.
5-3/4 x 7 inches.
29737c
Paul Signac (French, 1863-1935)
Le Pont des Arts, Paris avec Remorqueurs (The Pont des Arts, Paris with Tugboats)
Etching and aquatint, 1927. Signed in the plate. Edition 250. Reference: K. 24.
5 x 7-1/2 inches.
29730
Käthe Kollwitz (German, 1867-1945)
Self Portrait
Etching, 1921. Later impression with von der Becke blindstamp. Reference: Klipstein 155. Knesebeck 171 vi. d.
8-1/4 x 10-3/8 inches.
29745c
Käthe Kollwitz (German, 1867-1945)
Die Pfluger (The Ploughmen)
Plate I from The Peasants’ War cycle. Mixed technique etching, 1906. Richter edition of 200 proofs published in 1921. Signed in pencil. Reference: Klipstein 94 vii/ix, Knesebeck 99 ix/xi.
12-1/2 x 17-3/4 inches.
29786c
Käthe Kollwitz (German, 1867-1945)
Beratung (Conspiracy)
Plate 3 from Weberaufstand (Weaver’s Revolt). Lithograph printed chine collé, 1898. Signed in pencil. Spot of foxing in lower margin, away from image. Reference: Knesebeck 35 ii.
Image: 10-3/4 x 6-5/8 inches.
29746c
Gerhard Marcks (German, 1889-1981)
Pfluger I
Woodcut, 1946. Reference: LH 148.
5-3/8 x 9-3/4 inches.
29765c
$275
Louis Bouché (American, 1896-1969)
Girl in a Seaside Harbor Town
Linocut for Playboy Portfolio of Art and Satire, 1929. Initialed in the block. Fragile woodpulp paper as issued. Some losses along sheet edges.
11 x 8-1/2 inches.
29773c
Pierre Bonnard (French, 1867-1947)
Le Parc Monceau
Etching on laid paper with Arches watermark, 1937. Signed in the plate. Edition 500. Reference: Bouvet 114.
13 x 10-1/4 inches.
29780c
$450
Georges Rouault (French, 1871-1958)
Il Serait si Doux d’Aimer (To Love Would Be So Sweet)
Plate 13 for Miserere. Mixed etching, 1948. Edition 425 +25 HC. Published by Etoile Filante, Paris. Reference: Chapon/Rouault 66.
22-7/16 x 15-15/16 inches.
29560c
Marc Chagall (Russian/ French, 1887-1985)
Débora La Prophétesse
Handcolored etching for La Bible. Published by Teriade, Paris, 1956. Signed in pencil. Edition 7/100. Reference: Vollard 249.
11-1/2 x 9-3/4 inches.
29847c
Marc Chagall (Russian/ French, 1887-1985)
Anne Invoque l’Eternal
Handcolored etching for La Bible. Published by Teriade, Paris, 1956. Signed in pencil. Edition 21/100. Reference: Vollard 256.
10-1/2 x 9 inches.
29846c
Marc Chagall (Russian/ French, 1887-1985)
Élie Touché par un Ange
Handcolored etching for La Bible. Published by Teriade, Paris, 1956. Signed in pencil. Edition 7/100. Reference: Vollard 285.
9-5/8 x 10-1/4 inches.
29848c
Joan Miró (Spanish, 1893-1983)
Escalde Ver la Lune
Color etching and aquatint, 1969. Signed in pencil. Edition 7/75. Reference: Dupin 496.
40-5/8 x 28-3/4 inches.
29850c
Alexander Calder (American, 1898-1976)
Blue Sun
Color lithograph, 1971. Signed in pencil. Edition 91/150.
24 x 17-1/2 inches.
29849c
Roberto Matta (Chilean, 1912-2002)
Untitled
Color intaglio. Signed in pencil. Edition 18/50.
21 x 16-1/4 inches.
29845c


