Print Now!

Highlights of Contemporary Printmaking Techniques

July 5 - August 2, 2008

Print Now! is an exhibition showcasing local, national and international artists employing a variety of contemporary printmaking techniques.  In Seattle alone there are many printmaking studios, cooperatives and institutions offering printmaking classes.  Techniques included in this survey include etching, drypoint, mezzotint, woodcut, linocut, lithography, collagraph, monotype and digital.  Of the exhibiting artists, some are mid-career while others are at the beginning.  Works by these artists exemplify the vitality of printmaking today.

Intaglio, Etching & Drypoint

"Wet" techniques using acid to mark (etch) the surface of a copper or zince plate where permitted by the selective removal of the protective surface covering called a ground. Learn More »

View more work by intaglio artists: Norman Ackroyd, Ben Beres, Frank Boyden, Sean Caulfield, Erik Desmazieres, Tallmadge Doyle, Konstantin Kalynovych, Kurt Kemp, Martin Levine, Robert Marx, Barbara Mason, Friedrich Meckseper, Juan Alcazar Mendez, Hibiki Miyazaki, Rosalyn Richards, Arne Bendik Sjur, Seiko Tachibana, Paul Wunderlich

Mezzotint

A "dry" technique requiring extensive plate preparation using a tool called a rocker to uniformly mark the surface. Image generation comes from scraping and burnishing down the rough surface to control the range of printed tones. Learn More »

View more work by mezzotint artists: Daniel Carrillo, Konstantin Chmutin, Holly Downing, Stuart Duffin, Peter Jogo, Frederick Mershimer, Atsuo Sakazume, Laurent Schkolnyk, Mikio Watanabe, Carol Wax, Art Werger, Cleo Wilkinson

Woodcut

An image created by inking and printing what remains of the original surace of a piece of wood, working across the grain. Learn More »

View more work by woodcut artists: Stephen Hazel, Tuukka Peltonen, Chris Papa, Leena Jarva, Lockwood Dennis, Jean Gumpper, Karen Kunc, Annu Vertanen, Carol Summers, Barry Moser, Artemio Rodriguez, Gordon Mortensen, Lotta Pyykönen, Robert Patierno, Lee Chul Soo, Riitta Uusitalo

Lithograph

Lithography is a method for printing using a plate or stone with a completely smooth surface. By contrast with intaglio printing which uses a plate that has been engraved, etched or stippled to produce cavities to contain the printing ink, lithography simply uses oil or fat and gum arabic to divide the smooth surface into regions which accept the ink and regions which reject it. Learn More »

View more work by lithograph artists: Michael Barnes, Art Hansen, Stephen Hazel, Jonathan Higgins, Ben Moreau, Jenny Schmid, Francisco Toledo, Paul Wunderlich

Collagraph

A printing surface built up by collaging which is then sealed to prevent ink absorption and to permit multiple impressions to be printed. Learn More »

View more work by collagraph artists: Eunice Kim, Akiko Taniguchi

Monotype

A single impression pulled from a surface which has editionable qualities but where unique applications do not produce an edition. Learn More »

View more work by monotype artists: Jenny Schmid, Kevin Fletcher, Jonelle Johnson

Serigraph (Silkscreen)

Serigraphy (also known as screenprinting and silkscreening) is a printmaking technique that creates a sharp-edged image using stencils or emulsion-coated screens. Learn More »

View more work by silkscreen artists: Wuon Gean Ho, Xiao Pingxi, Artemio Rodriguez

Digital and Digital Combo

View exhibition archive of our digital printmaking showcase: Convergent Topologies