PETER MILTON

Early Works

Upcoming Gallery Exhibition: November 4 - December 3, 2014

This exhibition features Milton’s early works and focuses on the imagery shift most elegantly reflected in his 1975 mixed intaglio piece “Daylilies.” Throughout this transitional period there is a compelling ambiguity of multiple spaces represented through reflection and views through windows into alternative implied spaces.

Peter Milton is a major force in the printmaking world. Using etching and engraving techniques, Milton often spends a year or more to create his large and complex images. At Yale University under Josef Albers, Milton developed a concern less for the surface appearance of objects, but rather for the explication of their underlying, substantive qualities. Milton conveys meaning through a contextual environment of people, places, and moments in time.

Milton’s imagery frequently draws on elements from the late 19th and early 20th century English and French literary world. Rendering such imagery in a rich tonal scale of black and whites, Milton manages not only capture the mood of another era but also mid-century cinema. He cites among his major influences Ingmar Bergman and Fellini. With time and reflection, a narrative in Milton’s densely symbolic and historically referential images unfolds. Milton has received numerous awards for his prints, has a published book titled Peter Milton: Complete Prints 1960-1996, and is in every major museum collection.

• Recent Exhibitions: Hidden Cities III: Continuum, September 2006; Hidden Cities & Master Works 1965 – 2004, September 2004

Early Works

A selection of preview images from the upcoming exhibition

Additional Works

The Jolly Corner
An illistrated portfolio of 21 prints by Peter Milton. Text by Henry James
See the complete portfolio